Category Archives: Writing

People and Parties, Blue and Gold Light

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Sunrise/sunset: 09:11/ 13:52. Daylength: 4hr41min

At the end of last week’s blog, I touched on the subject of the RNIB and on the happiness I felt having been contacted by a number of women who were interested in talking to me about being blind or severely sight impaired (which one of my correspondents described as being “the new term for blind”). As I mentioned last week, one of the characters in my new novel (Gail) is blind. She has a guide dog (Beth). I think there is a common assumption that those with a guide dog have no sight at all, but that isn’t the case. I am also planning a second book in the same series, which will have a major storyline around the relationship between Gail and Beth. I am very touched by the enthusiasm for my book. And it’s been lovely, hearing from new people and learning about different perspectives. A couple of the women have also shared websites that give added insight into their lives and I wanted to share them with you.

The first is a fascinating insight into how Samantha Leftwich sees the world. She uses photography to try to replicate different aspects of her vision. Her artwork was showcased in an exhibition called Windows of the Soul:

https://www.windowsofthesoul.art/samantha-leftwich

The other is a blog by Lynne Nicholson about living with Charles Bonnet Syndrome which she describes as “my brain being deprived of visual stimuli […] inventing it’s own version of the world around me.” Lynne writes about making her way through the world and some of the technology that helps with that navigation. Here’s the latest post on her blog:

Was that a dinosaur?

The weather is incredibly changeable at the moment. There had been snow, but by last Sunday, it had disappeared again. Looking for somewhere new to walk, I drove up onto the Lenvik Peninsula. (The Norwegian word for peninsula is “halvøy”, which translated literally means half island, which pleased me when I looked it up.) Turning up a random road, I parked the car near a waterfall under a bridge and headed up on a pathway that wove uphill through woodland.

Waterfall as it emerges from an old arched stone bridge

Though the snow was gone, the ground was frosty and the colours muted, but with touches of the glorious autumn still visible.

Blue and pink sky behind bare trees on a frosty hillside
Frosted autumn leaf

Triar was very happy, of course. He loves exploring new places.

Triar at the top of the hill

There was a wonderful fall of snow on Monday night, so of course I took some photographs when I took Triar for his evening walk. As I’ve mentioned before, the light at this time of year has a bluish tinge, even when the sun is up. At night, I was struck by the beauty of the golden light which shone through the snow clad trees and reflected on the water.

A bush with warm white lights

Friday ended up being a bit of a wild day. There was an office party planned for the evening and I was taking sausage rolls. It had been a long week, so I asked Hilde on Thursday if I could work from home, and I was planning an early finish to give me time to bake. There were a couple of meetings to get through and then I didn’t have too much left to do.

So much for my carefully laid plans. The first meeting was at 08:30 and was about our ongoing list of farms where we know the welfare needs some work. I had done a lot of work on these cases a while back, checking through the paper trails, creating historic timelines so that it was easy to see what the long-term problems were in each case. In the meeting, I discovered that our team had a new deadline and new Excel sheets to fill in regarding those histories, as well as creating new timelines for how we are going to tackle the cases in the coming months.

It was quickly obvious that I was going to have to go into the office to tackle these new deadlines. Having done much of the legwork, I hoped it would be a case of simply copy and pasting the information, but experience has taught me it’s hard to do that with the limitations of a laptop screen. Anyway, regardless of that, I needed to meet with Thomas to plan the next steps.

So at the end of the first meeting, I grabbed everything and rushed down to the office. The second meeting of the day was about to start and I just had time to get myself a coffee before it began.

The second meeting was our departmental meeting and as I don’t play a leading role in anything yet, I was starting to relax again, when Hilde sent the second curve-ball of the day flying at my unprotected head. There are, apparently, two confirmed cases of coronavirus in the slaughterhouse. Anyone who had been there in the course of the week was to take a rapid test. There was a mask on my desk, put there a while back and discarded, so I slapped it on. I’d been to the abattoir on Tuesday, so that group included me.

After that, I was impatient for the meeting to end so I could go and get the test. Obviously my urgent face-to-face meeting with Thomas was going to have to wait! We didn’t have any tests in the office, so after a brief discussion with Hilde, I headed off to the pharmacy to see if I could buy some. Having done so, I headed home to take the test. The fifteen minute wait before I could see the results felt very long, even though I knew the chances that it would be clear were good. I hadn’t been in close contact with many non-Mattilsynet staff, all of whom had already been tested and were clear. There was more hanging on it than my meeting with Thomas, of course. I have been waiting weeks for the office party and to miss it would have been awful.

Luckily the test was clear. I headed back to the office, calling in at the health centre, on the way, to book an MRSA test that I need to have before I can visit pig farms to check for it. No good me going out to check if the pigs have it, then contaminating the swabs or worse, giving it to them.

The party was fun! Lots of people brought food and so there was a wonderful spread. I wasn’t drinking, but some people were. There was an amazing feeling of a return to something I hadn’t realised how much I was missing. We sat close together at the tables, which in itself felt novel and not normal, as it used to be. Some people were drinking alcohol and unexpectedly, one of them began to get rather “tired and emotional” and that seemed nostalgically wonderful too. He talked at one point about how much he had missed this, and how we must do it more often and the whole room listened and then toasted him.

He really struck a chord when he said we have to create a new normal. The vast majority of people are vaccinated. It’s not perfect as the vaccine isn’t perfect, but likely this is as good as it’s going to get. There are no new developments left to wait for. There are still local lockdowns, where the risks are higher, but so long as the hospitals are not swamped, there’s an extent to which we now need to let it go.

I will leave you with a photograph of Thomas. As regular readers will know, Thomas is from South Sudan and his dazzling white Sudanese outfit was definitely one of the high points of the evening.

Thomas looking magnificent in clothes from his homeland, South Sudan

Mixed

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Sunrise/sunset: 02:50/ 22:44. Daylength: 19hr 54mins

Last week, I sent the manuscript of a new book I’ve written to a friend. It’s always a nerve wracking moment, showing something you’ve created to another person. Lara is very well read and I was optimistic that if there was any storyline or character that was completely off key, she would tell me.

It’s been a tough project. I started it a couple of years ago in a lull between the last two Hope Meadows books. It’s about a veterinary practice in Scotland: partly wish fulfilment, I think, but also an exploration the life of older women. In this modern world, where women are supposedly able to have everything, they often end up juggling job and family and find themselves trapped in situations rooted in decisions made years ago when their children were young. I was aiming for a cross between James Herriot and Sally Wainwright (the scriptwriter behind the TV series Last Tango in Halifax and Happy Valley) and I hope I’ve achieved it.

To my intense joy (and relief) Lara loved it. Practically minded and knowledgeable, she also pointed out one or two technical points about veterinary practice and rules and regulations. Once I’ve ironed those out, I will be faced with the search for an agent.

In the UK, it’s close to impossible to get a novel published without an agent. In this age of computers, so many people write that all the major publishers have inserted a buffer between them and the great writing public. They will only look at fiction sent to them by an author’s agent, so now I have to look for one. Those who have followed my progress for a very long time might know that I was with Peter Buckman at the Ampersand agency (he put me in contact with Victoria Holmes, who led me through all six Hope Meadows books) but he admitted before we set off that Womens’ Commercial Fiction (which is what I write) wasn’t really his thing, and so at the end of Hope Meadows, we parted. He has since contacted me when he got wind of another vet project, so we remain on good terms, but what I really need is someone I can bounce ideas off, so that is what I’m going to look for.

John has been home for the weekend for the past three weeks and as it was lovely weather yesterday morning, I took the afternoon off and we went out with the dog on Senja. Serious walking is out for the moment. The deep snow on the mountains is beginning to melt. Water begins to run underneath it, and so as well as being slushy and almost impossible to walk through, there’s also a risk of avalanches. So for now, we contented ourselves with a stroll near Vangsvik. We found a lovely little harbour where the water was so clear that both John and I thought it would be a lovely place for a scuba dive. Though we have some kit in the flat, it’s so long since I’ve been that I will need to contact a club for retraining if I decide I want to jump back in.

I also stopped on the way back to take some pictures and was delighted to find the start of a hike which I had never noticed before. At four hours (probably five or six at my pace – Norwegians walk everywhere much faster than I do) and with a well marked path, it sounds perfect.

If the view at the beginning is anything to go by, the outlook from the top must be stunning. In a few weeks time, we will have 24 hour daylight, and even though I’ve woken to snow again this morning, it can’t last forever. Though spring is still trying to hide, there are definitely leaf buds on the trees now. Maybe a midnight hike will be in order. Roll on summer!

Summer at Hope Meadows

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Summer at Hope Meadows, Lucy Daniels

It feels strange to finally be able to talk about Hope Meadows. Because it will be published under a pseudonym, I was unsure at first whether I would be allowed to mention my involvement. Right now the first book is undergoing its final edit. I am gearing up to the idea that I might be writing features, giving interviews or even attending book festivals. I have also just received the wonderful storyline for the second book in the series, so I am about to be very busy.

But I should start at the beginning, with the e-mail that Peter Buckman sent.

The e-mail was from Victoria Holmes at Working Partners. She explained that the first major success Working Partners had, was a series of children’s books called Animal Ark. This gorgeous series (she said) featured twelve-year-old Mandy Hope, the daughter of vets Adam and Emily who ran the eponymous Animal Ark surgery in the idyllic Yorkshire village of Welford, and her best friend eleven-year-old James Hunter. Together they had rescued animals from every imaginable peril, making friends young and old, two- and four-legged.

Personally, I had not come across Animal Ark. The first in the series was published back in 1994 and by that time, I was working in a large animal practice in Scotland, which left almost no spare time for reading.

Animal Ark proved to be very popular, selling millions of copies, round the world. As the series was now reaching its 25th anniversary, Victoria explained, as well as relaunching the original books, Hodder had commissioned a brand new series, featuring Mandy Hope as a newly qualified vet, returning to Welford to help run Animal Ark and open an animal rescue centre.

They were, looking for authors to submit sample chapters. Several would be asked to send their version, and the one they felt was most suitable would be selected to write the rest of the book. The remit was to write the first two chapters of Mandy’s story. Working Partners (in the shape of Victoria herself) would provide an outline of the plot and whatever guidance I needed. It was my job to fill out the storyline.

From the off, Victoria and I proved to be on the same wavelength and the project itself was fascinating. Not only did it give me a chance to share my veterinary experiences, it was both a challenge and an unexpected pleasure to work with characters who had so much background.

As well as the plot, I was provided with information about the characters, both new (for Hope Meadows) and old. I was also sent two original Animal Ark manuscripts. There was also the geography of Welford and the surrounding area to assimilate.

To give an example of the challenge, the outline for chapter one contained the instruction “Mandy’s childhood flashes before her, with memories sparked by every location of lovely Welford”  As someone who had never read Animal Ark, this could have been daunting, but I set to, trawling through the pages of Amazon, making use of their handy “Look Inside” feature. Having identified some likely memories, I asked Victoria for the manuscripts and at the same time, asked the librarian at the British International School of Stavanger, whether she might be able to obtain hard copies. One way or another, I pulled together some suitable history.

I am not sure whether all the writers who submitted were quite so demanding of Victoria’s time. It seemed like hundreds of messages were batted back and forth as we discussed technicalities about the new storyline, historical and geographical details and even exchanged some friendly information about ourselves. By the time I set down the last full stop on chapter two, I was addicted.

As I contemplated what I had produced, there was an incredible feeling. The urge to write more was excruciating. It was no longer just about getting a deal with an agent and publisher. The project itself had become a burning need. I had added touches that I felt were all mine, yet somehow they seemed integral. It was hard to imagine the idea that someone else’s version might be better. That in nine months time, I might have to buy and read those chapters again, in somebody else’s words.

I was a veterinary surgeon. That had to be an advantage. But I was also a novice writer. I’d had nothing published and the deadline for the completion of the first draft was only a couple of months away. Would they be willing to take on someone with so little experience? With a strange sensation of loss, that I might never, ever get to write any more, I sent off my two chapters on the thirtieth of August and held my breath.

 

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Major Characters

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For those who have read Animal Ark, the main characters in Summer at Hope Meadows will be old friends. I’d like to share a little bit of information about them, their interactions with one another, and how I have tried to tie up their past with their present situation.

First, Mandy Hope herself. For those who haven’t read Animal Ark, Mandy hope was last seen at the age of twelve. She is the adoptive daughter of veterinary surgeons Adam and Emily Hope. She and her best friend James had a wonderful childhood, roaming the beautiful Yorkshire countryside and looking after the animals they found.

For the new series, Mandy has reached the age of twenty seven. She has qualified as a veterinary surgeon herself. The story begins with Mandy returning to Welford, the village where she grew up, to help her parents in their practice.

I must say that I enjoyed writing about Mandy. She shares so many of my own traits that I found it easy to find her voice. I suspect the biggest difference is that she is more earnest than I am. In the children’s books, she comes across as quite a serious character. Those who know me well will know that I have a dry sense of humour, which sometimes tends towards the cynical. Mandy is more idealistic.

She is also self-aware, will fight for her own needs and stand up for herself when necessary. As someone who tends towards the passive, I found it empowering writing a character who was much more assertive than I was when I was in my mid-twenties.

Like me, she is very uninterested in clothes and make-up, which is just as well, because I am truly ignorant about both those things. In the original guidance Victoria sent, there were instructions and links about the aural haematoma operation Mandy had to carry out.

I joked to Victoria that while the other authors probably followed them assiduously, I had written that element off the top of my head. However, I did have to search online to find out what a shift-dress actually was.

In book two, Mandy recently had to apply mascara. I had to suppress the urge to write about all the clumps in her eyelashes as I personally, have never managed to apply mascara without them appearing. If anyone knows the secret behind this important life-skill, please feel free to drop me a line.

Adam Hope is Mandy’s dad. In the children’s books, they have a warm, but teasing relationship. Mandy is sometimes to be seen out on her bike, whipping him into shape (not literally you understand) as he takes to the lanes around Welford to run.

I found his character and the relationship between Mandy and Adam quite straightforward to understand. It is based on both mutual respect and teasing. Adam’s eyes are always twinkling. Even though his hair has more grey now, he still teases Mandy. But now, Mandy sometimes gets her own back for all the years of ribbing.

The relationship between Emily Hope, Mandy’s mum, and Mandy is more subtle and at first I found it difficult to get a handle on Emily’s character. I am sure, when I started to write, she was coming across as insipid. This was cured when I spent a day in the library at the British International School in Stavanger. The librarian had already come up trumps by obtaining a copy of Sheepdog in the Snow for me. But it was one of the English teachers, Mrs Rhodes, who came and asked what I was doing, who finally helped me see Emily clearly.

Fortunately for me, Mrs Rhodes had read many of the Animal Ark books. I was amazed when she announced that her favourite character was Emily. She felt that Emily’s relationship with Mandy was wonderfully warm and based on an often unspoken trust.

When I read the books again, I began to notice this important trait. Mandy grew up with a mum who trusted her judgement enough to give her a great deal of freedom to make her own choices. That faith has allowed Mandy to grow up with a quiet self-confidence.

Finally, to James Hunter, who in the original series was Mandy’s best friend. I don’t want to give too much away, but the opening chapter in Summer at Hope Meadows is a big one for James.

When they were younger, James was a steadying influence on Mandy. Now, although they are physically further apart, they still look out for each other. There is a real sense that when both their lives enter periods of chaos, they view one another so clearly that they instinctively see what is best for each other: indeed more clearly than they can see their own path.

The most interesting thing for me, has been writing about characters with so much back history, which has to guide how they will react now. I know that when I get time to go back to my own stories, I will take much more time to write down events from their past. Mandy, James, Emily and Adam are now so clear in my head that they almost write themselves. And that is a very pleasurable way to write.

Thanks to Jan-Arne Hagen and Steinar Sirevåg for the photos.

Case Files

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Although Summer at Hope Meadows is a novel set in a veterinary practice (as opposed to a novel about a veterinary practice) it was important to me that the background was believable. I have noticed that even writers who are known for thorough research often get small details wrong. For those without a veterinary background, it might not be obvious, but for me those errors leap out.

In addition, anyone who has worked full time in mixed practice will know the job is an integral part of life. It would never be far away from the story. I have tried to reflect that reality throughout the book, though there were times when Mandy definitely had more freedom than the average young veterinary assistant. For those reading this in other parts of the world, veterinary assistant is the normal term for a salaried veterinary surgeon in UK practice.

However, the set-up is unusual, in that they are practising in a family setting. I suspect the lines between who was on call, and who would attend cases out of hours could be blurred. They are living in the same house. It’s conceivable there would be more give and take if one of them felt unwell or had an excessive amount of work coming in.

There were a whole host of different cases I had to describe, from an aural haematoma in a cat, to a back-breaking session finding an abscess in a cow’s foot. One thing I found difficult was to find the balance of expertise. Mandy has been qualified for only a year. I didn’t want to make her unrealistically experienced, but nor could she come across as ignorant.

I blurred the lines a little, by giving her some specialist knowledge. For two years working in Norway, I spent a lot of time in theatre, working as an anaesthetist. When Mandy is faced with an awkward client and a difficult case, I wanted to give her the tools to prove herself. So I added the information that she had an interest in anaesthesia. She proves herself in style…. and for that I must give thanks to the wonderful Veterinary Anesthesia Nerds group on Facebook!

One of the joys of fiction over real life is that I can go back and change what happened earlier. Recently, faced with a situation where Mandy literally had her hands full, I was able to go back to an earlier scene and slip the tools she needed for the job into her pocket when she was leaving the car.

The second book is set even more firmly in mixed practice. I have asked for the third to be set at lambing time and they have agreed. (Hooray!) There is the slight complication that I haven’t worked in mixed practice since 1999. During my years in emergency and critical care, I saw only one lamb. Other than that, the nearest thing to a large animal was the Scottish Deerhound I once saw with a neck injury.

Luckily I have friends who still work in the kind of rural practice that Animal Ark represents. It’s important because working in Norway is really quite different. I am no longer up to date with what is permitted and what is common. Perhaps, some time soon, I will make the time to go and see practice with one of them. Any excuse to get my arm up a cow’s arse should be grasped firmly. Even if it is done with only one hand.

Have a great weekend.

Thanks to Jan-Arne Hagen for the photo

Welford Geography

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First of all, I need to add one of those “disambiguation” notices like they have at the top of a Wikipedia page. The only Welford I am referring to here is the fictional Yorkshire version from Animal Ark / Hope Meadows. Any resemblance to any actual Welford (I see there are several) is purely coincidental.

I was amused however, to find that at least two Welfords host a church that is remarkably similar to the one I describe in Summer at Hope Meadows. I suppose that relates to the fact that Welford is, in many ways, an archetypal English village.

The geography of Welford has been a challenge. As I mentioned before, the very first chapter contained the direction, “Mandy’s childhood flashes before her, with memories sparked by every location of lovely Welford”. I didn’t just want to evoke Mandy’s memories of past events. I also wanted to know that the geographical locations were consistent.

Of course, with so many Animal Ark books, there have been a lot of locations mentioned. Although the writers had tried to portray an accurate picture of welfare issues and animal facts, one of the things my adult brain marvelled at, was just how many things there were to do and see in this tiny Yorkshire village.

As well as the church and the veterinary practice, there was a village green, a post-office, the Fox and Goose public house, a village hall and lots of cottages belonging to different characters. When I read further, I discovered tennis courts, stables and a camp-site. There had even been a western-style ranch at one point.

I had two quite memorable conversations with Victoria on this subject. The first was a request for a Welford Map. I asked whether there had been one at any time. Victoria replied that she had, at some point, tried to create such a document, but that she had no idea where it had gone. Instead, a very short time afterwards, she set the Working Partners intern to producing one.

I’m not sure how many books were referred to. There is a very detailed list of past characters, which has obviously been added to over time, but the geography list is less detailed. Still, armed with my new map, I was satisfied that for all the Hope Meadows books, we now had a consistent plan.

Our other conversation related to the surprisingly profitable and business-rich nature of the place. What was described as a village, seemed closer to being a bustling market town.

Victoria and I settled on the idea that there had been a lot of peripheral housing development since the 1980s, beyond the centre. So the quaint heart remains the same as ever and still has a village feel. But when Mandy looks down at Welford from the top of Sowerby Fell later, she can see a string of housing estates scattered along the road to neighbouring Walton.

Finally, I was also interested in which area of Yorkshire Welford was set. It was described as being about an hour’s drive from York and two hours from Leeds. There were times Mandy had to drive between Leeds and Welford. I think it is situated to the northwest of York.

In fact, I strongly suspect that if Animal Ark was a real practice, it would be in competition with the practice in Thirsk, where James Herriot worked. Like Mr Herriot, my descriptions of Welford and its surroundings have more in common with the villages and towns higher up in the Yorkshire Dales than in Thirsk itself.

I don’t know what the great man would have thought of Animal Ark. It seems to me, there are more than a few nods towards the Herriot vision of Yorkshire. But my overwhelming wish is to produce work that reflects my respect. I hope he would have approved.

This weeks image is of St Chad’s church in Middlesmoor, at the top of Nidderdale.

Towering Shame

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A poem by Sarah McGurk

 

Greedy fingers

Racing upwards

Devouring

Black faces

Trapped in death

Babies tossed

Like detritus

 

Building up

Public grief

Privatising ignominy

Façade stripped bare

 

Cries for help heard years too late

“Will nobody think of the children?”

 

Background: I don’t often write poetry, but these words came to me when I was driving last week. So insistent were they, that I had to stop the car to write them down. My thoughts continue to be with the victims of the atrocity of Grenfell Tower in London.