Tag Archives: Books

Summer at Hope Meadows

Summer at Hope Meadows, Lucy Daniels

It feels strange to finally be able to talk about Hope Meadows. Because it will be published under a pseudonym, I was unsure at first whether I would be allowed to mention my involvement. Right now the first book is undergoing its final edit. I am gearing up to the idea that I might be writing features, giving interviews or even attending book festivals. I have also just received the wonderful storyline for the second book in the series, so I am about to be very busy.

But I should start at the beginning, with the e-mail that Peter Buckman sent.

The e-mail was from Victoria Holmes at Working Partners. She explained that the first major success Working Partners had, was a series of children’s books called Animal Ark. This gorgeous series (she said) featured twelve-year-old Mandy Hope, the daughter of vets Adam and Emily who ran the eponymous Animal Ark surgery in the idyllic Yorkshire village of Welford, and her best friend eleven-year-old James Hunter. Together they had rescued animals from every imaginable peril, making friends young and old, two- and four-legged.

Personally, I had not come across Animal Ark. The first in the series was published back in 1994 and by that time, I was working in a large animal practice in Scotland, which left almost no spare time for reading.

Animal Ark proved to be very popular, selling millions of copies, round the world. As the series was now reaching its 25th anniversary, Victoria explained, as well as relaunching the original books, Hodder had commissioned a brand new series, featuring Mandy Hope as a newly qualified vet, returning to Welford to help run Animal Ark and open an animal rescue centre.

They were, looking for authors to submit sample chapters. Several would be asked to send their version, and the one they felt was most suitable would be selected to write the rest of the book. The remit was to write the first two chapters of Mandy’s story. Working Partners (in the shape of Victoria herself) would provide an outline of the plot and whatever guidance I needed. It was my job to fill out the storyline.

From the off, Victoria and I proved to be on the same wavelength and the project itself was fascinating. Not only did it give me a chance to share my veterinary experiences, it was both a challenge and an unexpected pleasure to work with characters who had so much background.

As well as the plot, I was provided with information about the characters, both new (for Hope Meadows) and old. I was also sent two original Animal Ark manuscripts. There was also the geography of Welford and the surrounding area to assimilate.

To give an example of the challenge, the outline for chapter one contained the instruction “Mandy’s childhood flashes before her, with memories sparked by every location of lovely Welford”  As someone who had never read Animal Ark, this could have been daunting, but I set to, trawling through the pages of Amazon, making use of their handy “Look Inside” feature. Having identified some likely memories, I asked Victoria for the manuscripts and at the same time, asked the librarian at the British International School of Stavanger, whether she might be able to obtain hard copies. One way or another, I pulled together some suitable history.

I am not sure whether all the writers who submitted were quite so demanding of Victoria’s time. It seemed like hundreds of messages were batted back and forth as we discussed technicalities about the new storyline, historical and geographical details and even exchanged some friendly information about ourselves. By the time I set down the last full stop on chapter two, I was addicted.

As I contemplated what I had produced, there was an incredible feeling. The urge to write more was excruciating. It was no longer just about getting a deal with an agent and publisher. The project itself had become a burning need. I had added touches that I felt were all mine, yet somehow they seemed integral. It was hard to imagine the idea that someone else’s version might be better. That in nine months time, I might have to buy and read those chapters again, in somebody else’s words.

I was a veterinary surgeon. That had to be an advantage. But I was also a novice writer. I’d had nothing published and the deadline for the completion of the first draft was only a couple of months away. Would they be willing to take on someone with so little experience? With a strange sensation of loss, that I might never, ever get to write any more, I sent off my two chapters on the thirtieth of August and held my breath.

 

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Case Files

Although Summer at Hope Meadows is a novel set in a veterinary practice (as opposed to a novel about a veterinary practice) it was important to me that the background was believable. I have noticed that even writers who are known for thorough research often get small details wrong. For those without a veterinary background, it might not be obvious, but for me those errors leap out.

In addition, anyone who has worked full time in mixed practice will know the job is an integral part of life. It would never be far away from the story. I have tried to reflect that reality throughout the book, though there were times when Mandy definitely had more freedom than the average young veterinary assistant. For those reading this in other parts of the world, veterinary assistant is the normal term for a salaried veterinary surgeon in UK practice.

However, the set-up is unusual, in that they are practising in a family setting. I suspect the lines between who was on call, and who would attend cases out of hours could be blurred. They are living in the same house. It’s conceivable there would be more give and take if one of them felt unwell or had an excessive amount of work coming in.

There were a whole host of different cases I had to describe, from an aural haematoma in a cat, to a back-breaking session finding an abscess in a cow’s foot. One thing I found difficult was to find the balance of expertise. Mandy has been qualified for only a year. I didn’t want to make her unrealistically experienced, but nor could she come across as ignorant.

I blurred the lines a little, by giving her some specialist knowledge. For two years working in Norway, I spent a lot of time in theatre, working as an anaesthetist. When Mandy is faced with an awkward client and a difficult case, I wanted to give her the tools to prove herself. So I added the information that she had an interest in anaesthesia. She proves herself in style…. and for that I must give thanks to the wonderful Veterinary Anesthesia Nerds group on Facebook!

One of the joys of fiction over real life is that I can go back and change what happened earlier. Recently, faced with a situation where Mandy literally had her hands full, I was able to go back to an earlier scene and slip the tools she needed for the job into her pocket when she was leaving the car.

The second book is set even more firmly in mixed practice. I have asked for the third to be set at lambing time and they have agreed. (Hooray!) There is the slight complication that I haven’t worked in mixed practice since 1999. During my years in emergency and critical care, I saw only one lamb. Other than that, the nearest thing to a large animal was the Scottish Deerhound I once saw with a neck injury.

Luckily I have friends who still work in the kind of rural practice that Animal Ark represents. It’s important because working in Norway is really quite different. I am no longer up to date with what is permitted and what is common. Perhaps, some time soon, I will make the time to go and see practice with one of them. Any excuse to get my arm up a cow’s arse should be grasped firmly. Even if it is done with only one hand.

Have a great weekend.

Thanks to Jan-Arne Hagen for the photo